{"id":6067,"date":"2018-08-28T21:32:50","date_gmt":"2018-08-28T21:32:50","guid":{"rendered":"http:\/\/www.amvfilmsproduction.com\/?page_id=6067"},"modified":"2019-08-28T14:34:06","modified_gmt":"2019-08-28T19:34:06","slug":"the-voice-of-the-shadow","status":"publish","type":"page","link":"https:\/\/www.amvfilmsproduction.com\/en\/the-voice-of-the-shadow\/","title":{"rendered":"THE VOICE OF THE SHADOW"},"content":{"rendered":"[vc_row fullwidth=”true”][vc_column][mk_page_title_box page_title=”THE VOICE OF THE SHADOW” bg_image=”http:\/\/www.amvfilmsproduction.com\/wp-content\/uploads\/2018\/08\/fcetmsa2.png” bg_position=”center top” bg_repeat=”no-repeat” bg_stretch=”true” overlay=”rgba(10,10,10,0.2)” bg_effects=”parallax” font_size=”40″][mk_padding_divider][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][mk_padding_divider][vc_single_image image=”6215″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”5994″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”5996″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”5998″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”6001″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”3\/4″][mk_padding_divider][vc_column_text css=”.vc_custom_1541717338342{margin-bottom: 0px !important;}”]\n

FRANCE CASTEL<\/strong>
\nMARIO SAINT-AMAND<\/strong>
\nISABELLE LAURIER<\/strong>
\nJEAN-FRAN\u00c7OIS BLANCHARD<\/strong>
\nPHILIPPE VASSEUR<\/strong><\/p>\n

 <\/p>\n

LA VOIX DE L\u2019OMBRE \/ THE VOICE OF THE SHADOW<\/strong><\/p>\n

FEATURE FILM from ANNIE MOLIN VASSEUR \u2013 CANADA \/ FRANCE 2013-83 MINUTES<\/strong><\/p>\n

MARIE-H\u00c9L\u00c8NE and THOMAS have been lovers for five years now, in Montreal, where they each have their own apartment. She lives alone, and he lives with his wife, GIS\u00c8LE and their daughter, CLAIRE.<\/p>\n

Thomas has a bicycle accident and goes into a coma. Marie-H\u00e9l\u00e8ne finds out through JOHN her ex-lover and Thomas\u2019s friend. Though Thomas and Marie-H\u00e9l\u00e8ne have recently split up, she goes to visit him in the hospital<\/p>\n

each day, when his wife is not there. Convinced that he can hear her, and to keep him interested in life, Marie-H\u00e9l\u00e8ne describes to him moments and gestures from her encounters with the people in the street that she photographs. She pleads with him to come out of the coma. Day by day, she weaves a thread inside of Thomas that becomes his lifeline to memory and creativity.<\/p>\n

Through Marie-H\u00e9l\u00e8ne\u2019s photographs and tales, we encounter varied colorful characters. Humorous and sad scenes from daily life are cut with reminders of Marie-H\u00e9l\u00e8ne\u2019s and of Thomas life together, and flashbacks to earlier moments they once shared.<\/p>\n

A voice, that of MARIE-H\u00c9L\u00c8NE\u2019s MOTHER, reads excerpts from a book she read in the past, conveys part of the disturbing Voice of the Shadow linking childhood memories to the dramatic past of the characters.<\/p>\n

 <\/p>\n

Press book : Press book (english version)<\/a>[\/vc_column_text][mk_fancy_title size=”20″ font_weight=”500″ txt_transform=”uppercase” margin_bottom=”0″ font_family=”none” align=”center”]La bande amorce[\/mk_fancy_title][vc_column_text css=”.vc_custom_1567020749322{margin-bottom: 0px !important;}”]\n

Reading of the film by Guy Magen, semiologist, producer Damien Jarnac, BAAM, France<\/p>\n[\/vc_column_text][vc_zigzag][vc_video link=”https:\/\/youtu.be\/U3F2375Wjok”][vc_column_text css=”.vc_custom_1567020829871{margin-bottom: 0px !important;}”]Facebook<\/strong>\u00a0:\u00a0https:\/\/www.facebook.com\/pages\/FILM-La-voix-de-lombre\/1476806032553909<\/a><\/u><\/strong>[\/vc_column_text][mk_padding_divider size=”10″][mk_fancy_title size=”20″ font_weight=”500″ txt_transform=”uppercase” margin_bottom=”0″ font_family=”none” align=”center”]Trailer[\/mk_fancy_title][vc_zigzag][vc_video host=”self_hosted” mp4=”http:\/\/www.amvfilmsproduction.com\/wp-content\/uploads\/2018\/08\/ENG-LVO-bande-annonce-en.mp4″][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider size=”80″][mk_fancy_title tag_name=”h3″ size=”20″ font_weight=”500″ txt_transform=”uppercase” margin_bottom=”0″ font_family=”none” align=”center”]Director\u2019s note[\/mk_fancy_title][vc_zigzag][vc_column_text css=”.vc_custom_1535495880608{margin-bottom: 0px !important;}”]Facing a coma (the representation of a wounded environment that is the reflection of our society) in a bleeding, amnesiac present looking towards a future with no horizon, can a woman whose youth is well behind her believe that sharing the little events of day-to-day living will sustain the life force of a consciousness that appears to be disconnected. Can she believe that a romance coming late in life\u2014hard to compare to the bursting fireworks of youthful passion\u2014will have the strength to colour existence with an aura of tenderness while regenerating a presence in the world out of absence? What is this voice of the shadow, diaphanous and multitudinous, that insinuates itself into memory and recalls the past history of Marie-H\u00e9l\u00e8ne and Thomas? These characters do not seem torn up by what they are experiencing, although their experience is a melodrama in which the past rises to the surface. Will there be acceptance? Resilience? The wisdom that can reduce to nothingness any and all acts of revolt, even if it is true that indignation knows no age? What marks has \u201cepi-genesis\u201d left on their lives, and what force engenders a belief in life and creation? What do poetry and love represent here? Are the characters risking their hide?<\/p>\n

These questions were the primary driving force behind the script for La voix de l\u2019ombre (The Voice of the Shadow), which I began writing in 2008. Having come to film directing in 2007, self-taught, as I was for all disciplines that I had previously taken on, I did not approach the act as a stylistic exercise. This, my first feature-length film, does not seek to adhere to a pre-established form, though certain renegade forms of questioning from my writing do run through it\u2014namely, the overlapping of layers of memory and facts that shatter the story\u2019s timeframe, giving way to a more random, inward timeframe. For me, the voice of the shadow\u2014 La voix de l\u2019ombre\u2014is perhaps this rising-up of memories of films from the early days, with their melodramas, their double exposures, and their calls to dreaming and introspection.<\/p>\n

In a word, after the many difficulties overcome to produce this film, and with the wisdom of hindsight, this film could not have been anything but what it is. Questions remain for me to share, and a cinematographic path beckons to me.[\/vc_column_text][mk_padding_divider][mk_fancy_title tag_name=”h3″ size=”20″ font_weight=”500″ txt_transform=”uppercase” margin_bottom=”0″ font_family=”none” align=”center”]Credit[\/mk_fancy_title][vc_zigzag][vc_row_inner visibility=”hidden-sm” el_class=”generique”][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1535552848321{margin-bottom: 0px !important;}”]DISTRIBUTION (World less France)<\/strong><\/p>\n

DISTRIBUTION (France)<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne age 27<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne ado<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne age 5<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne age 3<\/strong><\/p>\n

Thomas<\/strong><\/p>\n

Thomas age 17<\/strong><\/p>\n

Thomas age 7<\/strong><\/p>\n

Little girl age 3<\/strong><\/p>\n

Boy age 3<\/strong><\/p>\n

Boy age 8<\/strong><\/p>\n

Boy age 10<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne\u2019s Mother<\/strong><\/p>\n

John<\/strong><\/p>\n

The Benchman<\/strong><\/p>\n

Gis\u00e8le<\/strong><\/p>\n

Claire<\/strong><\/p>\n

Tapistry-maker.<\/strong><\/p>\n

Bandit and man on bridge<\/strong><\/p>\n

Thomas\u2019s Father<\/strong><\/p>\n

Presenter<\/strong><\/p>\n

Marie-H\u00e9l\u00e8ne\u2019s mother\u2019s friend<\/strong><\/p>\n

Thomas\u2019 s father \u2018s accomplice<\/strong><\/p>\n

Nurse Irina<\/strong><\/p>\n

Beggar.<\/strong><\/p>\n

Hospital\u2019s assistant<\/strong><\/p>\n

Doctor<\/strong><\/p>\n

Young woman.<\/strong><\/p>\n

Written and Directed by<\/span><\/strong><\/p>\n

Cinematography<\/strong><\/p>\n

Film editing<\/strong><\/p>\n

Supervisor Film editing<\/strong><\/p>\n

Assistant Film editing<\/strong><\/p>\n

Online editing<\/strong><\/p>\n

Music<\/strong><\/p>\n

Sound concept<\/strong><\/p>\n

Sound editing and mix<\/strong><\/p>\n

Colorist<\/strong><\/p>\n

Assistant Director<\/span><\/strong><\/p>\n

3rd Assistant Director<\/span><\/strong><\/p>\n

Continuity<\/span><\/strong><\/p>\n

Assistant interactive writting<\/strong><\/p>\n

Artistic director<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1535552900607{margin-bottom: 0px !important;}”](Monde moins la France) AZ FILMS, Montr\u00e9al<\/p>\n

(France) AMV DISTRIBUTION, Paris<\/p>\n

France Castel<\/p>\n

Isabeau Blanche<\/p>\n

Sarah-\u00c8ve Grandmaison<\/p>\n

\u00c9milie Bierre<\/p>\n

Charlotte Giraldeau<\/p>\n

Mario Saint-Amand<\/p>\n

Francis Tremblay<\/p>\n

L\u00e9o Deslauriers<\/p>\n

Juliette Bierre<\/p>\n

Charles William Ross<\/p>\n

Fr\u00e9d\u00e9ric Brault<\/p>\n

Marc-Antoine Foucault<\/p>\n

Isabelle Laurier<\/p>\n

Jean-Fran\u00e7ois Blanchard<\/p>\n

Philippe Vasseur<\/p>\n

Isabelle O\u2019Brien<\/p>\n

Laetitia Isambert-Denis<\/p>\n

Myl\u00e8ne Savoie<\/p>\n

Gabriel Par\u00e9<\/p>\n

Maxime Laurin<\/p>\n

Isabelle Par\u00e9<\/p>\n

Manon Brunet<\/p>\n

Antoine Portelance<\/p>\n

Martina Govednik<\/p>\n

Nicolas Chabot<\/p>\n

Val\u00e9rie Cantin<\/p>\n

Paul Stewart<\/p>\n

Meliza Lejeune<\/p>\n

Annie Molin Vasseur<\/p>\n

Nicolas Venne & Abbey Neidik (2nd\u00a0unit)
\nPhilippe Vasseur & Annie Molin Vasseur
\nNatacha Dufaux<\/p>\n

Salom\u00e9 Dufaux Mathieu<\/p>\n

S\u00e9bastien Ventura<\/p>\n

Justin B\u00e9chard & Patrick Spisak<\/p>\n

Georges Forget<\/p>\n

Louis Haeri<\/p>\n

Marc Desborde<\/p>\n

Catherine Lachance & Maud Boisnard (2nd unit)
\nDaniella Jovanovic & Catherine Szabo<\/p>\n

Nathalie Bayle<\/p>\n

Nathalie Roy<\/p>\n

Marie-\u00c8ve Bolduc[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1535553930953{margin-bottom: 0px !important;}”]Artistic director\u2019s assistants<\/strong><\/p>\n

Production manager<\/strong><\/p>\n

Production coordinator<\/strong><\/p>\n

Postproduction manager<\/strong><\/p>\n

Postproduction advisor<\/strong><\/p>\n

Preproduction<\/strong><\/p>\n

Sound engineer<\/strong><\/p>\n

Boom operator<\/strong><\/p>\n

Lighting<\/strong><\/p>\n

Lighting technicians<\/strong><\/p>\n

TGDN\/1st assistant camera<\/strong><\/p>\n

Costumes, dresser.<\/strong><\/p>\n

Assistants dresser<\/strong><\/p>\n

Chief make-up artist<\/strong><\/p>\n

Make-up effects<\/strong><\/p>\n

Chief hairdresser<\/strong><\/p>\n

Set photographer<\/strong><\/p>\n

Archival photos<\/strong><\/p>\n

Casting, extras<\/strong><\/p>\n

Exterior locations Manager.<\/strong><\/p>\n

Assistant locations Manager.<\/strong><\/p>\n

Production assistants<\/strong><\/p>\n

Driver<\/strong><\/p>\n

Song\u00a0Quand on y pense<\/i><\/strong><\/p>\n

Piano performer Satin<\/strong><\/p>\n

Poem C\u2019est \u00e0 vous que je parle.
\n<\/strong>(\u00c9ditions Caract\u00e8res, Paris, 2014)
\n<\/strong>Poem reader<\/strong><\/p>\n

Visual art works:<\/strong><\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

Translation<\/strong><\/p>\n

 <\/p>\n

Catering<\/strong><\/p>\n

Producer<\/strong><\/p>\n

Thanks to \u00a0:<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text css=”.vc_custom_1535553991738{margin-bottom: 0px !important;}”]Julie Chamberland, Anette Belley & Philippe Vasseur
\nMarc Cunningham<\/p>\n

Genevi\u00e8ve Joly<\/p>\n

G\u00e9rard Jongis<\/p>\n

Pierre Th\u00e9riault<\/p>\n

Davy Derouault & Nadine Demeule<\/p>\n

Philippe Scult\u00e9ty<\/p>\n

Julien Gabillaud<\/p>\n

Simon Lamarre-Ledoux<\/p>\n

Xavier Boisvert & Yannick Vigier<\/p>\n

Olivier Arends Leblanc<\/p>\n

No\u00e9mi Poulin<\/p>\n

Maria Pasik & Audrey Chikhani<\/p>\n

Jean-S\u00e9bastien Ouellet<\/p>\n

\u00c8ve Monnier<\/p>\n

Richard Hansen<\/p>\n

Yves Medam<\/p>\n

Pierre Cr\u00e9p\u00f4, Nicolas Venne & Annie Molin Vasseur
\nCarole Dionne<\/p>\n

Marie-Jos\u00e9 Bernard<\/p>\n

Virginia Leurent De Wavrin Bonnevie<\/p>\n

Jim L\u00e9vesque & Kevin Bujold<\/p>\n

Martin Letendre<\/p>\n

Groupe Renuvo<\/p>\n

Guillaume Dubois<\/p>\n

Annie Molin Vasseur<\/p>\n

Isabelle Laurier<\/p>\n

Georges Autard
\nDenis Demers
\nSerge Lemoyne
\nLouise Paill\u00e9
\nJean-Luc Poivret
\nOdy Saban
\nFrancine Simonin
\nJudith Wolfe<\/p>\n

Margaux Ouimet (sous-titres en anglais)
\nMark Stout (po\u00e8me C\u2019est \u00e0 vous que je parle, en anglais)
\nLandry Maltraiteur<\/p>\n

Annie Molin Vasseur<\/p>\n

Mathieu Demers
\nJacques Frigon
\nMichel Giroux
\nCatherine Gr\u00e9goire
\nHamid Hoveyda
\nFrancine Lariv\u00e9e et Claude Grenier
\nHuguette Le Gall
\nV\u00e9ronique Marino
\nJean-Michel Molin
\nThierry Paradis
\nGinette Petit
\nYvon Rivard
\nJo\u00ebl Serra
\nChristelle Le mas de Provence
\nUDA
\nAQTIS
\nAPFTQ
\nCINEPOOL
\nD\u00c9PARTEMENT CAM\u00c9RA
\nCIN\u00c9MATH\u00c8QUE QU\u00c9B\u00c9COISE
\nSTUDIO WOMBAT
\nProductions Murmures
\nCent visages de la figuration[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner visibility=”visible-sm”][vc_column_inner][mk_padding_divider][vc_column_text css=”.vc_custom_1542225651222{margin-bottom: 0px !important;}”]DISTRIBUTION (World less France)<\/strong><\/p>\n

(Monde moins la France) AZ FILMS, Montr\u00e9al<\/p>\n

DISTRIBUTION (France)<\/strong><\/p>\n

(France) AMV DISTRIBUTION, Paris<\/p>\n

Marie-H\u00e9l\u00e8ne<\/strong><\/p>\n

France Castel<\/p>\n

Marie-H\u00e9l\u00e8ne age 27<\/strong><\/p>\n

Isabeau Blanche<\/p>\n

Marie-H\u00e9l\u00e8ne ado<\/strong><\/p>\n

Sarah-\u00c8ve Grandmaison<\/p>\n

Marie-H\u00e9l\u00e8ne age 5<\/strong><\/p>\n

\u00c9milie Bierre<\/p>\n

Marie-H\u00e9l\u00e8ne age 3<\/strong><\/p>\n

Charlotte Giraldeau<\/p>\n

Thomas<\/strong><\/p>\n

Mario Saint-Amand<\/p>\n

Thomas age 17<\/strong><\/p>\n

Francis Tremblay<\/p>\n

Thomas age 7<\/strong><\/p>\n

L\u00e9o Deslauriers<\/p>\n

Little girl age 3<\/strong><\/p>\n

Juliette Bierre<\/p>\n

Boy age 3<\/strong><\/p>\n

Charles William Ross<\/p>\n

Boy age 8<\/strong><\/p>\n

Fr\u00e9d\u00e9ric Brault<\/p>\n

Boy age 10<\/strong><\/p>\n

Marc-Antoine Foucault<\/p>\n

Marie-H\u00e9l\u00e8ne\u2019s Mother<\/strong><\/p>\n

Isabelle Laurier<\/p>\n

John<\/strong><\/p>\n

Jean-Fran\u00e7ois Blanchard<\/p>\n

The Benchman<\/strong><\/p>\n

Philippe Vasseur<\/p>\n

Gis\u00e8le<\/strong><\/p>\n

Isabelle O\u2019Brien<\/p>\n

Claire<\/strong><\/p>\n

Laetitia Isambert-Denis<\/p>\n

Tapistry-maker.<\/strong><\/p>\n

Myl\u00e8ne Savoie<\/p>\n

Bandit and man on bridge<\/strong><\/p>\n

Gabriel Par\u00e9<\/p>\n

Thomas\u2019s Father<\/strong><\/p>\n

Maxime Laurin<\/p>\n

Presenter<\/strong><\/p>\n

Isabelle Par\u00e9<\/p>\n

Marie-H\u00e9l\u00e8ne\u2019s mother\u2019s friend<\/strong><\/p>\n

Manon Brunet<\/p>\n

Thomas\u2019 s father \u2018s accomplice<\/strong><\/p>\n

Antoine Portelance<\/p>\n

Nurse Irina<\/strong><\/p>\n

Martina Govednik<\/p>\n

Beggar.<\/strong><\/p>\n

Nicolas Chabot<\/p>\n

Hospital\u2019s assistant<\/strong><\/p>\n

Val\u00e9rie Cantin<\/p>\n

Doctor<\/strong><\/p>\n

Paul Stewart<\/p>\n

Young woman.<\/strong><\/p>\n

Meliza Lejeune<\/p>\n

Written and Directed by<\/strong><\/p>\n

Annie Molin Vasseur<\/p>\n

Cinematography<\/strong><\/p>\n

Nicolas Venne & Abbey Neidik (2nd\u00a0unit)<\/p>\n

Film editing<\/strong><\/p>\n

Philippe Vasseur & Annie Molin Vasseur<\/p>\n

Supervisor Film editing<\/strong><\/p>\n

Natacha Dufaux<\/p>\n

Assistant Film editing<\/strong><\/p>\n

Salom\u00e9 Dufaux Mathieu<\/p>\n

Online editing<\/strong><\/p>\n

S\u00e9bastien Ventura<\/p>\n

Music<\/strong><\/p>\n

Justin B\u00e9chard & Patrick Spisak<\/p>\n

Sound concept<\/strong><\/p>\n

Georges Forget<\/p>\n

Sound editing and mix<\/strong><\/p>\n

Louis Haeri<\/p>\n

Colorist<\/strong><\/p>\n

Marc Desborde<\/p>\n

Assistant Director<\/strong><\/p>\n

Catherine Lachance & Maud Boisnard (2nd unit)<\/p>\n

3rd Assistant Director<\/strong><\/p>\n

Daniella Jovanovic & Catherine Szabo<\/p>\n

Continuity<\/strong><\/p>\n

Nathalie Bayle<\/p>\n

Assistant interactive writting<\/strong><\/p>\n

Nathalie Roy<\/p>\n

Artistic director<\/strong><\/p>\n

Marie-\u00c8ve Bolduc<\/p>\n

Artistic director\u2019s assistants<\/strong><\/p>\n

Julie Chamberland, Anette Belley & Philippe Vasseur<\/p>\n

Production manager<\/strong><\/p>\n

Marc Cunningham<\/p>\n

Production coordinator<\/strong><\/p>\n

Genevi\u00e8ve Joly<\/p>\n

Postproduction manager<\/strong><\/p>\n

G\u00e9rard Jongis<\/p>\n

Postproduction advisor<\/strong><\/p>\n

Pierre Th\u00e9riault<\/p>\n

Preproduction<\/strong><\/p>\n

Davy Derouault & Nadine Demeule<\/p>\n

Sound engineer<\/strong><\/p>\n

Philippe Scult\u00e9ty<\/p>\n

Boom operator<\/strong><\/p>\n

Julien Gabillaud<\/p>\n

Lighting<\/strong><\/p>\n

Simon Lamarre-Ledoux<\/p>\n

Lighting technicians<\/strong><\/p>\n

Xavier Boisvert & Yannick Vigier<\/p>\n

TGDN\/1st assistant camera<\/strong><\/p>\n

Olivier Arends Leblanc<\/p>\n

Costumes, dresser.<\/strong><\/p>\n

No\u00e9mi Poulin<\/p>\n

Assistants dresser<\/strong><\/p>\n

Maria Pasik & Audrey Chikhani<\/p>\n

Chief make-up artista<\/strong><\/p>\n

Jean-S\u00e9bastien Ouellet<\/p>\n

Make-up effects<\/strong><\/p>\n

\u00c8ve Monnier<\/p>\n

Chief hairdresser<\/strong><\/p>\n

Richard Hansen<\/p>\n

Set photographer<\/strong><\/p>\n

Yves Medam<\/p>\n

Archival photos<\/strong><\/p>\n

Pierre Cr\u00e9p\u00f4, Nicolas Venne & Annie Molin Vasseur<\/p>\n

Casting, extras<\/strong><\/p>\n

Carole Dionne<\/p>\n

Exterior locations Manager.<\/strong><\/p>\n

Marie-Jos\u00e9 Bernard<\/p>\n

Assistant locations Manager.<\/strong><\/p>\n

Virginia Leurent De Wavrin Bonnevie<\/p>\n

Production assistants<\/strong><\/p>\n

Jim L\u00e9vesque & Kevin Bujold<\/p>\n

Driver<\/strong><\/p>\n

Martin Letendre<\/p>\n

Song\u00a0Quand on y pens\u00e9<\/em><\/strong><\/p>\n

Groupe Renuvo<\/p>\n

Piano performer Satin<\/strong><\/p>\n

Guillaume Dubois<\/p>\n

Poem C\u2019est \u00e0 vous que je parle.<\/strong>
\n(\u00c9ditions Caract\u00e8res, Paris, 2014)<\/strong><\/p>\n

Annie Molin Vasseur<\/p>\n

Poem reader<\/strong><\/p>\n

Isabelle Laurier<\/p>\n

Visual art works:<\/strong><\/p>\n

Georges Autard
\nDenis Demers
\nSerge Lemoyne
\nLouise Paill\u00e9
\nJean-Luc Poivret
\nOdy Saban
\nFrancine Simonin
\nJudith Wolfe<\/p>\n

Translation<\/strong><\/p>\n

Margaux Ouimet (sous-titres en anglais)
\nMark Stout (po\u00e8me C\u2019est \u00e0 vous que je parle, en anglais)<\/p>\n

Catering<\/strong><\/p>\n

Landry Maltraiteur<\/p>\n

Producer<\/strong><\/p>\n

Annie Molin Vasseur<\/p>\n

Thanks to \u00a0:<\/strong><\/p>\n

Mathieu Demers
\nJacques Frigon
\nMichel Giroux
\nCatherine Gr\u00e9goire
\nHamid Hoveyda
\nFrancine Lariv\u00e9e et Claude Grenier
\nHuguette Le Gall
\nV\u00e9ronique Marino
\nJean-Michel Molin
\nThierry Paradis
\nGinette Petit
\nYvon Rivard
\nJo\u00ebl Serra
\nChristelle Le mas de Provence
\nUDA
\nAQTIS
\nAPFTQ
\nCINEPOOL
\nD\u00c9PARTEMENT CAM\u00c9RA
\nCIN\u00c9MATH\u00c8QUE QU\u00c9B\u00c9COISE
\nSTUDIO WOMBAT
\nProductions Murmures
\nCent visages de la figuration[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”.vc_custom_1535410920835{margin-bottom: 0px !important;}”]UN FILM D\u2019ANNIE MOLIN VASSEUR
\n<\/em>visa d\u2019exploitation no 139.316
\n<\/em>\u00a9 AMV PRODUCTION \u2013 2013<\/strong><\/em>[\/vc_column_text][mk_padding_divider][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider size=”20″][mk_fancy_title tag_name=”h3″ size=”20″ font_weight=”500″ txt_transform=”uppercase” margin_bottom=”0″ font_family=”none” align=”center”]Biographies[\/mk_fancy_title][vc_zigzag][vc_column_text css=”.vc_custom_1540584420493{margin-bottom: 0px !important;}”]France Castel<\/strong> is by turns a singer, an actress and a talk-show host. She is quite well-known to television viewers who are accustomed to seeing her on many different shows, year after year: \u00abProzac\u00bb, \u00abRamdam\u00bb, \u00abLance et compte\u00bb, \u00abLes Super Mamies\u00bb, \u00abL\u2019Or\u00bb, \u00abLa part des anges\u00bb, \u00abOmerta\u00bb, \u00abLe Volcan tranquille\u00bb, \u00abUrgence\u00bb, \u00abSous un ciel variable\u00bb, and \u00abScoop\u00bb, to name but a few. Her film work includes roles in a score of movies, including \u00abJe me souviens\u00bb, \u00abLes 3 P\u2019tits cochons\u00bb (The 3 Little Pigs), \u00abLa Lune viendra d\u2019elle-m\u00eame\u00bb, \u00abKarmina\u00bb, \u00abLa Comtesse de B\u00e2ton Rouge\u00bb, \u00abUne histoire invent\u00e9e\u00bb, \u00abCoteau rouge\u00bb, and \u00abSur le rythme\u00bb by up-and-coming director Charles-Olivier Michaud. Her theatre credits include \u00abLes Girls \u00e0 Cl\u00e9mence\u00bb, \u00abLa mort d\u2019un commis voyageur\u00bb (Death of a Salesman), and \u00abDemain matin Montr\u00e9al m\u2019attend\u00bb. More recently, she has graced the stage in a number of summer theatre productions.<\/p>\n

Since she hosted \u00abDeux filles le matin\u00bb with France Beaudoin and \u00abDroit au c\u0153ur\u00bb on Radio Canada, we have witnessed how all facets of France Castel\u2019s life have contributed to her qualities as a talk-show host. Her generous nature, her ability to listen, her vibrant presence, and her infectious laugh are all traits that make her eminently qualified to take the helm of the program \u00abPour le plaisir\u00bb.<\/p>\n

For over 20 years, Mario Saint-Amand<\/strong> has been offering up the fruits of his gifts as an actor in roles as varied as they are intense in both film and television. His film career began in 1989 in the film \u00abLove-moi\u00bb, directed by Marcel Simard, a film that deals with juvenile delinquency. We were then able to appreciate his talent in \u00abL\u2019automne sauvage\u00bb and \u00abKarmina\u00bb, both directed by Gabriel Pelletier. In the fall of 2007, Andr\u00e9 Forcier offered him a role in \u00abJe me souviens\u00bb. And in 2009, under the direction of Julien Knafo, he played a young father troubled by his past in the film \u00abLucidit\u00e9 passag\u00e8re\u00bb.<\/p>\n

In 2011, he landed a major role, playing Gerry Boulet in the film \u00abGerry\u00bb, directed by Alain Desrochers. He then performed in \u00abCoteau Rouge\u00bb with Andr\u00e9 Forcier. In 2011 and 2012, he took part in a theatrical creation staged by Dominic Champagne entitled \u00abTout \u00e7a m\u2019assassine\u00bb before going on tour in Quebec with his production of Mario Saint-Amand music, \u00abOn passe nos blues\u00bb.<\/p>\n

Isabelle Laurier<\/strong> is an actress who dances, sings, and writes. She has performed in a variety of plays, including \u00abLes Amants du M\u00e9tro\u00bb and \u00abL\u2019\u0152uf\u00bb. Her preferred medium is film. She has had roles in a score of short films and nearly 10 feature-length films. She appeared in \u00abPich\u00e9\u00bb \u00abentre Ciel et Terre\u00bb, \u00abGerry\u00bb, \u00abThe Girl with the White Coat\u00bb, and \u00abThe Year Dolly Parton Was My Mom\u00bb. She played the leading role in \u00abL\u2019\u00c9closion\u00bb, \u00abLes Traits\u00bb, \u00abChim\u00e9riques\u00bb, \u00abLes Cicatrices\u00bb, and \u00abMille Images valent un Mot\u00bb, among other films.<\/p>\n

Isabelle is also a musician and has studied and plays several musical instruments, among them the piano, the oboe, and the guitar. She has danced classical ballet as well as modern jazz, hip-hop, and salsa; and she sings jazz, rock, and varieties.[\/vc_column_text][mk_padding_divider][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row fullwidth=”true”][vc_column][mk_page_title_box page_title=”THE VOICE OF THE SHADOW” bg_image=”http:\/\/www.amvfilmsproduction.com\/wp-content\/uploads\/2018\/08\/fcetmsa2.png” bg_position=”center top” bg_repeat=”no-repeat” bg_stretch=”true” overlay=”rgba(10,10,10,0.2)” bg_effects=”parallax” font_size=”40″][mk_padding_divider][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][mk_padding_divider][vc_single_image image=”6215″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”5994″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”5996″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”5998″ img_size=”full” alignment=”center” onclick=”link_image”][mk_padding_divider][vc_single_image image=”6001″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”3\/4″][mk_padding_divider][vc_column_text css=”.vc_custom_1541717338342{margin-bottom: 0px !important;}”] FRANCE CASTEL MARIO SAINT-AMAND ISABELLE LAURIER JEAN-FRAN\u00c7OIS BLANCHARD PHILIPPE VASSEUR   LA VOIX DE L\u2019OMBRE […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/pages\/6067\/"}],"collection":[{"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/pages\/"}],"about":[{"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/types\/page\/"}],"author":[{"embeddable":true,"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/comments\/?post=6067"}],"version-history":[{"count":41,"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/pages\/6067\/revisions\/"}],"predecessor-version":[{"id":7057,"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/pages\/6067\/revisions\/7057\/"}],"wp:attachment":[{"href":"https:\/\/www.amvfilmsproduction.com\/en\/wp-json\/wp\/v2\/media\/?parent=6067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}